11th – 25th of April 2026
Extension Art Space, Stockholm, Sweden
ORGANA INCORPOREA is a large-scale abstract installation resembling a ribcage structure. Here I think about the distinction between body, material and space becoming blurred, by wondering if the artwork is shaped by the environment or if the environment is shaped by the artwork? My inspiration for this installation comes from post-industrial sites and place responsiveness. I imagine that this project symbolises a remnant of a disrupted environment and focuses on body hybridity, challenges boundaries between human, animal and machine and reconfi gures spatial relations in posthuman contexts. The work refl ects on systems that can simultaneously destroy and transform, often operating unnoticed while shaping new realities.
ORGANA INCORPOREA is the Latin translation of bodiless organs, and refers to ‘organs without bodies’, a posthuman feminist and biopolitical concept of Rosi Braidotti. In her book Nomadic Subjects (1994/2011), Braidotti uses this notion to describe a regime where bodies are treated as collections of detachable organs, functions, and capacities rather than as lived, fi nite, embodied subjects. While thinking about this concept, I envisioned forcefully opened structures, fragments of inner bodies being exposed, escaping to the surrounding space, something on the verge of living and dying simultaneously. This imagination formed a connection with my original idea for this exhibition.
This project represents the next chapter in my long-term research focused on the complex relationship between the human body and the spaces it inhabits, with particular interest in environments that impose physical limitations.
